This is an FX lens, and works especially well on FX, 35mm and DX Nikons like the D4, D4s, D800, D800E, D610, D600, D700, D3X, F6, F5 and F4. On DX, no big deal just know that when I mention the "corners," I'm talking about a part of this lens' image that isn't seen or used on DX.
#Nikon 35mm camera manual
The biggest difference between this 35/2 AF-D and the newest 35/1.8G is that you have to move a switch on your camera to swap between Auto and Manual focus modes, while with the newest f/1.8 G FX lens all you have to do is move the focus ring.Īs an FX lens, this review is written for use on FX. The newest 35mm f/1.8 G FX lens is a little sharper, but much bigger and more expensive, and has more corner color fringes and slightly more distortion. It's less expensive and is optimized for DX cameras. Done.įor DX cameras, use the 35/1.8 DX instead. For FX and 35mm cameras, this is a superb lens. This 35/2D is sharp, small, light and fast. Nikon also refers to the AF-D version as the AF 35mm f/2D.
I'm saying "AF-D" to differentiate it from the older manual focus lens or the newer f/1.8 AF-S G FX lens. When I mention the AF-D throughout this review, it's the same as the AF lens. If you're buying used, few people realize that these two are otherwise the same lens, so you can score a bargain on the older AF version which uses exactly the same great optics. This latest 35/2 AF-D lens (1995-today) is the same as the original 35/2 AF lens (1989-1995), differing only in the addition of a focus-distance encoder, which is only a slight help for flash exposure and automated distortion correction. It's 100% compatible with every feature on FX cameras, as well as 100% compatible with all features of all 35mm Nikons made since 1977, auto or manual focus. This is a bargain of a wonderful lens for any purpose on full-frame FX and 35mm cameras. July 2014 Nikon Reviews Nikon Lenses All Reviews I get no government hand-outs and run no pledge drives to support my research, so please always use any of these links to approved sources for the best prices, service and selection whenever you get anything. My biggest source of support is when you use those or these links when you get anything, regardless of the country in which you live - but I receive nothing for my efforts if you take the chance of buying elsewhere.
#Nikon 35mm camera how to
Intro Specs Performance Compared Usage Recommendations MoreĪF-NIKKOR 35mm f/2D ( FX, DX and 35mm coverage, 52mm filters, 7.0 oz./200g, about $360 new or $330 ( gray-market) or about $225 used if you know How to Win at eBay). But I don’t see any difference in the pics if I use that or my $20 N75 as they can use the exact same lenses.Home Donate New Search Gallery Reviews How-To Books Links Workshops About Contact Huge VF, AE and manual exposure, preset focus, really quiet as the heavy body muffles everything, and nothing out there is tougher. I really think the Nikonos is the best street photography camera. FYI to take out that piece of glass all you have to do is remove the thick o-ring in the front of the lens.
And it does, so I use this lens in fair weather conditions when you don’t need to care about water etc. I wanted to see how this would reduce lens flare. I even bought a second 35mm lens that was a beater (something like $30 from KEH) that I removed the thick glass protective ‘filter’. The Nikonos V is fantastic! I have a green and orange one. In matrix metering with print film I set the exp compensation at +.5 and it helps. (The color 3d matrix metering that is meant to determine exposure on what is in focus does not work as claimed. In matrix it exposes for the highlights (seems to be intended for slide film use) so if any scene is back lit or has sky in it, it exposes for that. Interesting and good call that you selected center weighted metering with the F6.
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